Publications
Bie-modern Studies Publications
2014
1) Don’t be Modern(Bie-modern): Ism’s Appeal and Construction; Wang Jianjiang,（Shanghai Normal University) Exploration and Free Views, 12/2014
2015
2) Bie-postmodernism (Bie-modern): Beyond Aesthetics and after Postmodernism——On Reaction to an International Aesthetics Trend; Wolfgang Welsh and Wang Jianjiang（Shanghai Normal University) Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 01/2015
3) Bie-postmodernism: a Leapfrog Pause; Wang Jianjiang (Shanghai Normal University) Exploration and Free Views, 12/2015
4) Bie-modern: Behind the Creation of Discourse; Wang Jianjiang（Shanghai Normal University）Shanghai Culture, 12/2015
2016
5) A Conference Review of the Academic Strategy Symposium in Bie-modern Times; Pan Liyong （ Shanghai Normal University) Shanghai Culture, 02/2016
6) The Disciplinary Boundaries and Intrinsic Basis of Aesthetics of Theory of Life; Wang Jianjiang （Shanghai Normal University) Theoretical Studies in Literature and Art, 02/2016
7) Wang Jianjiang: The Bustle and the Absence of Zhuyi–The Example of Chinese Aesthetics; Wang Jianjiang（Shanghai Normal University) Filozofski vestnik, 03/2016
8) The Formation of the Aesthetic Form of “Embarr-assment”in Bie-modern period; Wang Jianjiang（Shanghai Normal University) Southern Cultural Forum, 05/2016
9) Bie-modernism:The Aesthetic Features of Xu Zheng’s Movie Lost In Hong Kong; Zhou Ren (Shanghai Normal University), Southern Cultural Forum, 05/2016
10) Bie-modernism and Chinese Contemporary Art; Li Jun (Shanghai Normal University）; Liu Haijie, Southern Cultural Forum, 05/2016
11) Time-travel TV Series and Bie-modernism; Xu Wei（Shanghai Normal University）Southern Cultural Forum, 05/2016
12) International Academic Seminar on Discourse Innovation and Bie-modern Problems in Art and Aesthetics; Wang Weiyu（Shanghai Normal University）Contemporary Literary Criticism, 06/2016
13) Bie-Postmodernism: On the Spatialization of Time and its Aesthetic Function; Wang Jianjiang. （Shanghai Normal University) Contemporary Literary Criticism, 06/2016
14) Questions of Academic History and the Anxiety of New Generation——And A Response to Prof.Wang Jianjiang; Xia Zhongyi（Shanghai Jiao Tong University) Academic Monthly, 06/2016
15) Ambiguity of “Bie-modernity”Theory and Its Reflection——A Discussion with Mr. Wang Jianjiang; Wang Hongyue（Zhejiang Normal University) Exploration and Free Views, 07/2016
16) Philosophy, Aesthetics, Quadrangle of Humanities and Bie-modernism——A Respond to Prof. Ales Erjavec; Wang Jianjiang（Shanghai Normal University) Exploration and Free Views, 09/2016
17) Ism: From Absence to Uproar——A Discussion with Prof.Wang Jianjiang; Ales Erjavec（The Republic of Slovenia) Xu Wei (translate), Exploration and Free Views, 09/2016
18) International Academic Symposium of Discourse Creation and Bie-modern Problems in Arts and Aesthetics, Wang Weiyus（Shanghai Normal University) Shanghai Culture, 10/2016
19) Bie-Postmodernism: On the Spatialization of Time and its Aesthetic Function; Wang Jianjiang （Shanghai Normal University) Social Science Digest, 11/2016
2017
20) Bie-postmodernism:Problems with“Isms”——Criticism of Xia Zhongyi’s Case Studies of Xue An; Wang Jianjiang（Shanghai Normal University) Journal of Shanghai Normal University (Philosophy & Social Sciences Edition) 01/2017
21) What Is the Real Problem？——On the Debate Between“Isms”and Pu Xue; Wu Xuan （Shanghai University of Finance and Economics) Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 01/2017
22) How to Become “Ism”——Three Scholars on “Bie-postmodernism” in Shanghai; Liu Fengjie （Anhui Normal University) Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 01/2017
23) 别现代:转型中国的现代影像与尊严坚守——以贾樟柯电影为例(无英文题目，页码：(148-152), Wang WeiyuS（Shanghai Normal University) Contemporary Literary Criticism, 01/2017
24) 主持人语/(无英文题目，页码; Wang Jianjiang（Shanghai Normal University) Guizhou Social Sciences, 01/2017
25) 为审美形态的英雄与崇高(无英文题目，页码; (32-37), Xu Dawei (Liaoning Normal University) Guizhou Social Sciences, 01/2017
26) 别现代时期的中国文学理论危机与应对策略/(无英文题目;页码; (26-31) Kang Yong （Northwest Normal University) Guizhou Social Sciences, 01/2017
27) 别现代:水墨与水墨艺术/(无英文题目, 页码; (44-49), Yang Zengli (Shanghai Normal University), Guizhou Social Sciences, 01/2017
28) “Consuming Japan” and the Deconstruction of the Heroic Space; Wang Jianjiang（Shanghai Normal University) Chinese Journal of Literary Criticism, 02/2017
29) 主持人话/(无英文题目，页码; (377), Wang Jianjiang（Shanghai Normal University) Urban Cultural Studies, 02/2017
30) Zhuyi, Bie-modernism, Theory its Necessity and Limitations; Keaton Wynn (Georgia Southwestern State University) Li jun (Translate) Urban Cultural Studies, 02/2017
31) Criticism and self-renewal: Bie-modern ideas in Mo Yan’s novel Frog; Yang Zengli (Shanghai Normal University) Urban Cultural Studies, 02/2017
32) Reflection on the Aesthetic Confidence of Contemporary Art Take Zhang Xiaogang’s Bloodline: Big Family series for instance, Cui Lushi (Shanghai Normal University) Urban Cultural Studies, 02/2017
33) What Happens When Bie-modern Encounters Space and Time; Wang Jianjiang（Shanghai Normal University) Journal of CUPL, 03/2017
34) Bie-modernism: Philosophy and Aesthetics in the Dialogue of World Academy, Wang Jianjiang (Shanghai Normal University) Journal of Northwest Normal University, 05/2017
35) Lessons in Equality: From Ignorant Schoolmaster to Chinese Aesthetics; Ernest Zenko (The Republic of Slovenia) Shi Wenxuan(Translate) Journal of Northwest Normal University, 05/2017
36) Differing Modernisms: Similar Art, Different Meaning, Zhuyi for a Bie-modern Age; Keaton Wynn（Georgia Southwestern State University）Li jun (Translate) Journal of Northwest Normal University, 05/2017
37) Bie-modern: Where Are the Differences, Wang Jianjiang（Shanghai Normal University) Social Sciences in Hunan, 05/2017
38) Comment on “Bie-modernism”of Jianjiang Wang; Ales Erjavec（The Republic of Slovenia) Xu Wei (Translate) Social Sciences in Hunan, 05/2017
39) 杂糅与断裂:别现代主义与后现代主义的异质同构/(无英文题目，页码; (155-160), Guan Yu（Shanghai Normal University) Social Sciences in Hunan, 05/2017
40) Bie-modern: Leaping pause, leaping development and creation in literature and art-Response to Professor Hongyue Wang; Wang Jianjiang（Shanghai Normal University) Gansu Social Sciences, 06/2017
41) Disenchanting the Distinction between Voice and Speech–Rethinking of the Construction of National Philosophy in Bie-modern Era; Guo Yaxiong（Shanghai Normal University) Exploration and Free Views, 07/2017
42) From Postmodern to Bie-modern, Keaton Wynn（Georgia Southwestern State University) Shi Chao（Translate） Shanghai Culture, 08/2017
43) The Global Travelling of Chinese Theory in Cultural Globalization, 李隽（上海师大); Li Jun （Shanghai Normal University） Shanghai Culture, 08/2017
44) The Leaping-Forward Pause of Contemporary Chinese Art from the Perspective of Bie-modern: Taking Zhang Xiaogang’s Works as an Example, Guan Yu（Shanghai Normal University) Shanghai Culture, 08/2017
45) “Arts:Pre-modern,Modern,Post-modern,Bie-modern”–A Review of International Symposium; Guo Yaxiong（Shanghai Normal University) Shanghai Culture, 08/2017
46) Introduction: China and the West: Zhuyi and -isms; Wang Jianjiang（Shanghai Normal University）ART + MEDIA, 13/2017
47) The Bustle and the Absence of Zhuyi–The Example of Chinese Aesthetics, Wang Jianjiang (Shanghai Normal University） ART + MEDIA, 13/2017
48) Zhuyi From Absence to Bustle?Some Comments on WangJianjiang’s Article “The Bustle and the Absence of Zhuyi”; Aleš Erjavec, ART + MEDIA , 13/2017
49) “Quadrilateral’ in Philosophy and Bie-modernism (Comments on Aleš Erjavec’s Zhuyi: From Absence to Bustle? Some Comments on Wang Jianjiang’s Article ‘TheBustle and the Absence of Zhuyi’”; Wang Jianjiang（Shanghai Normal University）ART + MEDIA, 13/2017
50) Some Additional Remarks Concerning Issues Opened by Prof.Wang Jianjiang; Ales Erjavec, ART + MEDIA, 13/2017
51) Lessons in Equality: From Ignorant Schoolmaster to Chinese Aesthetics; Ernest Ženko, ART + MEDIA, 13/2017
52) 拟象油画的“别现代”特征/(无英文题目; Li Huaxi（Literature College of Hebei Normal University）,文艺报（6），11.15/2017
2018
53) Preface of Bie-modern Column; Aleš Erjavec, Filozofski vestnik, 01/2018
54) Is it Possible for China to Go Ahead of the World in Philosophy and Aesthetics?—A Response to Aleš Erjavec’s, Ernest Ženko’s, and Rok Benčin’s Comments on Zhuyi and Bie-modern Theories; Wang Jianjiang (Shanghai Normal University) Filozofski vestnik, 01/2018
55) Surpass the “Speech/ Voice Distinction”——Rethinking the Construction of Chinese Philosophy in Bie-modern (Doubtful Modernity) Era; Guo Yaxiong（Shanghai Normal University) Filozofski vestnik, 01/2018
56) Temporalities of Mordernity in Jia Zhangke’s Still Life; Rok Benčin, Filozofski vestnik, 01/2018
57) Between Problems (Wenti) and-Iisms (Zhuyi), a Hundred Years Since; Helena Motoh, Filozofski vestnik, 01/2018
58) Host words, Wang Jianjiang（Shanghai Normal University) Urban Cultural Studies, 02/2018
59) Bie-modernity:the“Mirror”and“Light”of Chinese Social and Cultural Reality; Xiao Minghua （Liangxi Normal University) Urban Cultural Studies, 02/2018
60) Bie-modern theory’s Innovation and Inheritance to Chinese Philosophy; Guan Yu（Shanghai Normal University) Urban Cultural Studies, 02/2018
61) Remake Productions and Bie-modern Aesthetics: Take an Example of a Chinese Odyssey 3; Xu Wei（Shanghai Normal University) Urban Cultural Studies, 02/2018
62) The Practice and Attempt of Native Academic Discourse Innovation in the New Era: On the Theoretical Creation of Bie-morden and its Enlightenment for Promoting the Academic Discourse; Zhao Shihua（Shanghai Normal University) Journal of Anhui Radio & TV University, 02/2018
63) Local Choice: Pre-modernism, Modernism, Post-modernism or Bie-modernism?——A Case Study of the Development and Orientation of Chongming Ecological Island; Zhuang Zhimin（East China Normal University) Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 03/2018
64) 主持人语:立足本土走向世界（无英文题目，页码：4) Wang Jianjiang（Shanghai Normal University) Guizhou Social Sciences, 04/2018
65) Bie-modern: an Entry Point to Studies on Chinese Issues; Wang Jianjiang (Shanghai Normal University) Guizhou Social Sciences, 04/2018
66) 别现代:有文化自觉与文化自信的中国理论（无英文题目，页码：12-17); Xiao Minghua （Liangxi Normal University) Guizhou Social Sciences, 04/2018
67) 印记:中国当代艺术的一种别现代阐释（无英文题目，页码：24-29); Hu Benxiong （Southeast University) Li Kun (Southeast university) Guizhou Social Sciences, 04/2018
68) 现代困境中的别现代时刻——兼论别现代从“声音”到“语言”的转换与“哲学四边形”的建构（无英文题目；页码：18-23); Zhang Jianfeng（Shanghai Normal University）,Guizhou Social Sciences,04/2018
69,Is There No Need for China to Go Ahead of the World in Philosophy and Aesthetics——Response to Aleš Erjavec et al,Wang Jianjiang（Shanghai Normal University) Exploration and Free Views, 05/2018
70) Triviality and Truth——Further Discussions on Proposition of the Absence of Zhuyi of Wang Jianjiang, Ales Erjavec (The Republic of Slovenia) Xu Wei (Translate) Exploration and Free Views, 05/2018
71) Bie-modern: Zhuyi/Ism and Ontology——Also Responding to Domestic Discussions on Bie-modern Issues; Wang Jianjiang (Shanghai Normal University) Journal of Northwest Normal University, 05/2018
72) Bie-modern: Between “Ideology” and “Utopia”; Xiao Minghua (iangxi Normal University) Journal of Northwest Normal University, 05/2018
73) 别现代视域下的石舒清小说研究——以短篇小说集《伏天》为例 (无英文题目，页码：13-14) Zuo Wenqiang（North Minzu University) Anhui Literature, 05/2018
74) 继往开来 别具一格——王建疆教授美学思想评述（无英文题目，页码：16-21); Yang Zengli (Zhejiang Yuexiu University of Foreign Languages) Aesthetics, 12/2018
75) 从自调节审美论到别现代主义美学——我的学术跋涉之路（无英文题目，页码：5-15）Wang Jianjiang（Shanghai Normal University) Aesthetics, 13/2018
76) “跨越时空的创造:别现代理论探索与艺术实践国际学术研讨会”综述（无英文题目，页码：115-118) Zhao Shihua, Zhang Shaowei (Shanghai Normal University) Shanghai Culture, 12/2018
2019
77) Bie-modern: From social form to aesthetic form; Wang Jianjiang（Shanghai Normal University) Gansu Social Sciences, 01/2019
78) “别现代”何去何从——王建疆“别现代”理论初探 （无英文题目，页码：49—54）Xie Jinliang (Fudan University) Guizhou Social Sciences, 02/2019
79) Bie-modern: How to Understand Four Issues in Western Philosophy and Aesthetics; Wang Jianjiang（Shanghai Normal University) Guizhou Social Sciences, 02/2019
80) 论“哲学时刻”、解放美学和贾樟柯电影中的“别现代”（无英文题目，页码：55-59）RokBenčin (The Republic of Slovenia) Guizhou Social Sciences, 02/2019
81) Host words; Wang Jianjiang（Shanghai Normal University) Urban Cultural Studies, 02/2019
82) “Publish or Perish” Some Observations Regarding the Acquisition Process at the University Presses (Or, Academic Publishing Houses in the West ) Ales Erjave（The Republic of Slovenia）Urban Cultural Studies, 02/2019
83) The Realistic Theory Basis and Universality “from The Perspective of AI Science and Technology Bie-modern” and Other Science and Technology; Peng Kai（Southeast University) Urban Cultural Studies, 02/2019
84) Openness and Generation: Theory of “Bie-modern” in Construction A Discussion with Dr. Zhao Yao and Other Reviewers; Zhao Shihua (Shanghai Normal University) Urban Cultural Studies, 02/2019
85) Bie-modern ; the Now and the Not Yet and Will Be of Zhuyi, Keaton Wynn (Georgia Southwestern State University) Urban Cultural Studies, 02/2019
86) Chinese Classical Aesthetics also Needs “Leap-Forward Pause” ——Talking from Chinese Aesthetic Form” Mentioned by Professor Wang Jianjiang; Jian Shengyu (Yangzhou University) Urban Cultural Studies, 02/2019
87) Bie-modernism: A New Dimension of Reconstruction of Chinese Discourse in Post-Anxiety Period; Yu Fan (Nanjing University) Inner Mongolia Social Sciences, 02/2019
88) Preliminary Exploration of the Cultural Motivation of the Innovation in Chinese Writing and Creative Thinking in Colleges and Universities——Take the Expression of the Discourse Innovation of Bie-modern as an Example; Ji Xiumei (Baoding University) Journal of Baoding University, 03/2019
89) A Doubtful Aesthetic Modernity: Criticism of Strange Buildings from the Perspective of Bie-modernism; Zhou Ren (Shanghai Normal University) Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 04/2019
90) 从现代、后现代到别现代主义：论语文教育范式转型（无英文题目，页码：18—20）; Wei Jiangbei (East China Normal University) Education Exploration, 04/2019
91) On the “Bie-Postmodern Dance Performance by LIN Huaimin’s ”Cloud Gate” ; Shi Hong (Capital Normal University) Journal of Guizhou University (Art), 04/2019
92) “Bie”of the Bie-modern; Wang Jianjiang（Shanghai Normal University) Jiangxi Social Sciences, 06/2019
93) 别现代:在与思想史的对话中进入历史（无英文题目，页码：91-99); Xiao Minghua (Jiangxi Normal University) Jiangxi Social Sciences, 06/2019
94) 在新时代语境下参与全球理论对话的别现代理论探析（无英文题目，页码：100-108); Jian Shengyu (Yangzhou University) Jiangxi Social Sciences, 06/2019
95) 时间的空间化——电影《伊斯坦布尔的幸福》审美形态举隅（无英文题目，页码：45-52) Zhou Ren (Shanghai Normal University) Guizhou Social Sciences, 07/2019
96) 思想、主义与别现代主义——兼回应夏中义、刘锋杰先生（无英文题目，页码：42—48); Xu Dawei (Liaoning Normal University) Guizhou Social Sciences, 10/2019
97) 别现代语境中的命运交响乐——评电视剧《九州·海上牧云记》（无英文题目，页码：173-174); Zhang Xiaoyan (Lanzhou Jiaotong University) Masterpieces Review, 17/2019
98) “社会形态与审美形态暨第五届别现代国际学术会议”综述, （无英文题目，页码：121-124); Zhao Shihua, Peng Zhe (Shanghai Normal University) Shanghai Culture, 12/2019
2020
99) Returning to the Occurrence Period of Modernity and Building the Bie-modernistic Chinese Literary Theory; Xiao Minghua (Jiangxi Normal University) Inner Mongolia Social Sciences, 01/2020
100) Bie-modern Where Are You Going? —Responding to Mr.XIE Jin-liang; Wang Jianjiang (Shanghai Normal University) Inner Mongolia Social Sciences, 01/2020
101) On the Theory of Truth and Bie of Bie-modern Which is On the Inheritance and Transcendence of Chuang Tzu’s Theory of Truth; Zhao Shihua (Shanghai Normal University) Inner Mongolia Social Sciences, 01/2020
102) Bie-modern: Discourse Innovation & Interntional Academic Dialogue (Wang Jianjiang); Enea Bianchi, ÁGALMA, 39/2020
103) 沟通古今，联络诗禅——谈别现代主义之“别”（无英文题目，页码：231—234); Lin Jiafeng (GuangXi Normal University) Culture Journal, 41/2020
104) Aesthetic Analysis of the Appeal of Localization of Modern Art of China since 2000; Shi Shengxun(Peking University)Study of Chinese Aesthetic,01/2020
105) On Bie-modern as A New Perspective of New Poetry Criticism; Luo Xiaofeng (Yanzhou University) Journal of Nantong University (Social Sciences Edition),04/2020
106) An Interpretation of Contemporary Tibetan Literature from the Perspective of the Bie-Modern Theory; Yan Liang(Tibet University)Journal of Jining Normal University,04/2020
107) The Construction of the Attic of Reconciliation in the “Epic”: The House of Earth Trilogy in the Light of the Bie-modern Theory; Lu Hang (ShanXi Normal University) Masterpieces Review,24/2020
108) Bie: Between “Meta” and “Post”; Zhou Ren (Shanghai Normal University) Journal of CUPL,05/2020
109) “Bie” in the West; Wang Jianjiang(Shanghai Normal University)Guizhou Social Sciences,10/2020
110) Eurocentric Assumptions and the Misinterpretation of Bie-modern Art; Keaton Wynn (Shanghai Normal University; CCBMS) Guizhou Social Sciences,10/2020
111) European Decadent Populism and Chinese Bie-modernism; Enea Bianchi (National University of Ireland, Galway) Guizhou Social Sciences,10/2020
112) Bie-modern Theories in Terms of Cognitive Psychology and Cultural Typology; Judy Grissett (Georgia Southwestern State University) Guizhou Social Sciences,10/2020
113) International Ideological Market and Theoretical Innovation Competition: The Theory of Bie-postmodernism in Discussion; Wang Jianjiang (Shanghai Normal University) Jiangxi Social Sciences,10/2020
114) Bie-modern: Discourse Innovation and Yet-for-being of Zhuyi; Shao Jinfeng (Xuchang University) Jiangxi Social Sciences,10/2020
115) Inspiration and Reflection on the Bie-modernist Aesthetics; Zhang Yuneng (Central China Normal University; Nanjing University) Zhang Gong (East China University of Political Science and Law)Jiangxi Social Sciences,10/2020
116) Bie-Modern Interpretation of the Development of National Music Art in Contemporary: Taking the Creation of Folk Music in the Fifth Generation of Composers as an Example; Wang Yan (Yangzhou University) Hundred Schools in Arts,06/2020
117) Bie-Modern：Local Reflection Based on Postmodern Theory and Experience; Wang Weiyu (Pingdingshan University) Journal of Ankang University,06/2020
118) From the Book of Changes to See the Characteristics and Functions of Chinese and Western Categories Thinking; Wang Jianjiang (Shanghai Normal University) Journal of Aesthetics and Art Review,02/2020
119) The Yijing and the Crisis of Western Tradition; Ernest Ženko (Mosca University) ,Sun Ruixue (Shanghai Normal University )Journal of Aesthetics and Art Review,02/2020
2021
120) Literary Vision Analysis on Good Governance in Grassroot Villages: A Rural Political Narrative from Bie-modernist Aesthetics Perspective——Based on Famous Contemporary Novelists and Their Works in the Central Plain of China; Zhang shaowei, Wang Jianjiang (Shanghai Normal University) Journal of Hubei University (Philosophy and Social Science),01/2021
121) Hundred Years of Cultivation, Chinese Style and Contemporary Prosperity Historical Retrospect and Present Reflection on the Development of China Aesthetics in Hundred Years; Zhang Wei (Lu Xun Academy of Fine Arts; School of Art, Northeast University) Hundred Schools in Arts,01/2021
122) “Bie-modernity” and Civilization Coordination; Chen Bohai (Institute of literature, Shanghai Academy of Social Sciences) Social Science Front,02/2021
123) An Analysis of the Problems Existing in Literary Aesthetic Forms in the Period of “Bie-modernism”; Xie Jinliang (Fudan University) Hubei Social Sciences,02/2021
124) Dialogue between East and West on the Philosophy of Equality Education; Wang Jianjiang (Shanghai Normal University) Guizhou Social Sciences,02/2021
125) Xijing Culture: The“Bie”Culture of the Contemporary Youth; Luo Lan, Fan Weifeng (Nanjing University Of Science And Technology) Humanities & Social Sciences Journal of Hainan University,02/2021
126) “Removing Falsehoods and Preserving Truth”: Reflections on the Spatialization of Qing Yu Nian in Bie-modern Perspective; Guo Xin (Shanghai Normal University) Masterpieces Review,12/2021
127) Construction of Contemporary Heroes’ Images in Birth of Magic Boy Nezha under Bie-modern Theory; Luo Lan (Nanjing University of Science and Technology) Journal of Neijiang Normal University,07/2021
128) Reflection on the Heterogeneity of “Modernity” and Related Issues; JIAN Shengyu (Yangzhou University) Journal of Yangzhou University (Humanities and Social Sciences Edition),04/2021
129) A Study on “Bie-modern” Criticism; Lin Jiafeng (Guangxi Normal University),2021
130) A Study Magic Aesthetic Form in Contemporary China; Hu Yuan (Shanghai Normal University),2021
131) A Comparative Study of the Two Aesthetic Forms of “Jiong” and “Crazy”; Tong Dongjie (Shanghai Normal University),2021
132) The Surface and Deep Significances of the Mixed-modern —Remarks on Wang Jianjiang’s Bie-modern Theory; Zha Chaping(Sichuan University)Urban Cultural Studies,01/2021
133) Bie-modern Pause: Dust, Ink, Enlightenment and Leapfrogging Existence; David Brubaker (Hubei University) Guizhou Social Sciences,08/2021
134) 当代中国艺术冠名的背后（页码：31-36）; Guan Yu (Communication University of Shanxi) Guizhou Social Sciences,08/2021
135) Laughter and Coldness after Understanding – An Aesthetic Analysis of Cold Humour in Bie-modernism; Sun Ruixue (Shanghai Normal University) Guizhou Social Sciences,08/2021
136) Bie-modernism: An Analysis of the Model of “eastern learning spreading to the west”in the New period; Zhuang Huanming (Shanghai Normal University) Urban Cultural Studies,02/2021
137) Title: Bie-modernity and the Original Construction of Chinese Humanity Academic; Wang Xiaohua (Shenzhen University) Urban Cultural Studies,02/2021
138) The Art of Cai Guo Qiang as a Test Case for the Historical Necessity of Bie-modernism in Transnational Contemporary Art; Keaton Wynn (Shanghai Normal University, Georgia Southwestern State University,CCBMS) Urban Cultural Studies,02/2021
139) The theoretical construction of “Bie-Modernism” and its exploration experience in literary criticism; Zhang Yi (Guangxi Normal University) Urban Cultural Studies,02/2021
140) Positive factor, Distinctive features and ponder about Square dancing; Shi hong (Capital Normal University) Urban Cultural Studies,02/2021
2022
141) Cultural Mechanisms for the Distribution of Short Videos in Tik Tok; Guo Xuejun (Hebei Normal University) Youth Journalist,04/2022
142) Text Change and Discourse Balance of the New Hero Narrative from the Perspective of “Bie-Modernism”; Li Qi, Wang Jing (Hunan Normal University) Media Observer,03/2022
143) The Bie-modern Aesthetic Characteristics of Network Literature; Yu Jianxiang (Central South University) Social Science Journal,02/2022
144) A Study of “Aesthetic Images” and Their Aesthetics in the Digital Age; Chen Ying (Shanghai Normal University), Master’s Thesis，2022
145) Harmonious Coexistance: On the Modernity of the New Media Communication of Contemporary Poetry；Liang Yuwei (Guangxi Normal University) Journal of Hezhou University，01/2022
146) A Study of the ”Anti-Hero” Phenomenon in Contemporary China under the Perspective of Heroic Space Theory; Ma Tingyang(Shanghai Normal University), Master’s Thesis, 2022
147) Research on Montage Phenomenon in Narrative Painting; Zhang Yi (Northeast Normal University)，Doctoral Dissertation，2022
148) Innovative Scholars and Chinese Literary Theory——On Wang Jianjiang’s Literary Theory; Xiao Minghua (Jiangxi Normal University) Journal of Lanzhou University of Arts and Science(Social Science Edition)，03/2022
149) Based on Tradition, Concerned about Reality and Determined to Innovate——On the Construction of Wang Jianjiang’s Bie-modernism Literary Theory; Wang Sheng (Lanzhou University of Finance and Economics) Journal of Lanzhou University of Arts and Science (Social Science Edition)，03/2022
150) “Modernity” as a Tradition of Classical Poetry——On the New Discovery of New Poetry from the Tradition of Classical Poetry in the 21st Century；Luo Xiaofeng (Yangzhou University) Literary Review，03/2022
151) Practical Concerns of “Bie-modern” and “Modernity of Family Resemblance; Zhang Ling (Shandong Vocational University of Foreign Affairs) Journal of Hebei Normal University (Philosophy and Social Sciences)，03/2022
152) The Construction and the Development of Bie-Modernism Philosophy and Aesthetics；Wang Jianjiang (Shanghai Normal University) Journal of Hebei Normal University (Philosophy and Social Sciences)，03/2022
153) Research on the Reasons For the Design of Strange Architecture; Dai Jiale (Inner Mongolia University of Science & Technology)，Master’s Thesis，2022
154) Research on New Media Communication of Poetry；Liang Yuwei (Guangxi Normal University )，Master’s Thesis，2022
155) A Possibility of Literary Theory of Chinese Experience——An Exploration of Bie-modern Criticism；Lin Jiafeng (Shanghai Normal University) Journal of Nanjing University of Aeronautics and Astronautics (Social Sciences)，03/2022
156) The Inner Aesthetic Theory of Bie-modernism from a Multidimensional Perspective；Peng Zhe (Shanghai Normal University)Guizhou Social Sciences，07/2022
157) The Perspective of “Bie-modern”: Rethinking the Problem of “Modernity”；Jian Shengyu (Yangzhou University)Guizhou Social Sciences，07/2022
158) Contemporary Art in the Context of Bie-modern Theory; Ernest Zenko(University of Primorska)，Xu wei (Shanghai University Of Engineering Science) Guizhou Social Sciences，07/2022
159) The Literary Theory of Absurd Comedy in the Spatialization of Time——Take the Chinese Film Series “Chinatown Detective” as an Example; Chang Jun (Shanghai Normal University) Aesthetics，07/2022
160) Eclecticism as a Response to the Bie-Modern Situation in Modern and Contemporary Chinese Art；Margaret Richardson(Christopher Newport University) , Lu Leiping (Shanghai Normal University) Chinese Aesthetics，01/2022
161) Contemporary Chinese Aesthetics: From Methodological Exploration to Construction of Zhuyi；Wang Sheng (Lanzhou University of Finance and Economics) Chinese Aesthetics，01/2022
162) Discussion on the Discrimination and Reconstruction of Modernity wity Chinese Characteristics；Zhang Liqun，Zhang yi (Guangxi Normal University) Journal of Guangxi College of Education，04/2022
163) Spatialization of Time and Bie-moden’s Historical Absurd Narration；Chang Jun (Shanghai Normal University) Guizhou Social Sciences，10/2022
164) Systematic Qualitative Theory of Counting Number and Its Philosophical Enlightenment；Wang Jianjiang (Shanghai Normal University) Aesthetics，10/2022
165) My country, My parents: A Study of Film Ethics and Aesthetics from the Bie-modern Perspective；Wang Libin (Shanxi Normal University) Aesthetics，12/2022
166) Identifying the Differences of “Spatialization of Time” When Applied as Terminology in Literary Criticism；Wang Cong (Shanghai Normal University) Journal of Aba Normal University，04/2022
167) Discursive Innovation, Aesthetic Interpretation and Aesthetic Practice of Chinese Modernity: Reading “Bie-modern: Art and Philosophy”；Zheng Chun-na (Shanghai Normal University) Hunan Packaging，06/2022
168) The Aesthetic Study of Chinese Contemporary Fashion Art from the Perspective of “Bie-modern”；Feng Zhixue (Nanning College for Vocational Technology) Liaoning Tussah Silk，01/2023
169)The Inner Generative Logic of Aesthetic Categories in Bie-modernist Theoretical Systems; Zhang Shaowei(School of Journalism and Communications, Zhoukou Normal University)Chinese Aesthetics,02/2022
170)On the Four Construction Paths of Bie-modern Theories; Xiao Minghua(Research Center of Contemporary Morphological Literary Theory, Jiangxi Normal University)Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition),01/2023
171)The Originality of the Theory and the First Basis of the Theory; Wang Jianjiang, Peng Zhe(School of Humanities, Shanghai Normal University)Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition),01/2023
172)Bie-modern Perspective’s “Cold Humor”-Taking Feng Xiaogang’s Chinese New Year Films as an Example; Wang Mei(Liaoning Normal University)Today’s Mass Media,03/2023
173)Research on the Feminization of Male Icons in Consumer Society; Li Yanan(Shanghai Normal University),Master’s Thesis,2023
174)“Enchantment” and “Disenchantment” in the Relationship Between Editors and Authors from the Perspective of Bie-Modern Convergent Media: Based on Western Literary Theory; Xing Juan-ni, Li Dan(College of Humanities, Shanghai Normal University; The Editorial Department of Journal, Wenzhou University) Editorial Friend,06/2023
175)Bie-Modernism: From Bie to Bie Theory to Bie in the West; Wang Jianjiang(School of Humanities, Shanghai Normal University)Gansu Social Sciences,04/2023
176)Bie-Modernism and Meta-Modernism; Wang Hongyue(the College of Humanities, Zhejiang Normal University and the Center for Jiangnan Culture Studies of Zhejiang Normal University)Gansu Social Sciences,04/2023
177)Bie-Modernism and Cultural Computing; Wang Jianjiang(Shanghai Normal University), Chen Haiguang(Shanghai Normal University), HCII 2021, LNCS 12795, pp. 474–489, 2021.
178)Research on the Public Design Innovation Method Based on the Sharing Concept of Cultural Computing; Zhang Xin, Hu Jieming, (Donghua University), HCII 2021, LNCS 12795, pp. 162–174, 2021.
179)Bie—Modernism with Cultural Calculations in Multiple Dimensions; Wang Jianjiang,Chen Haiguang, Qi Zifeng, Liu Mingxing, (Shanghai Normal University), HCII 2022, LNCS 13324, pp. 120–136, 2022.
180)The Road of “Bie-modern” of Periodization of Chinese Design Modern History; Wu Wenzhi, Wang Jingyuan, Hu Xiaoyu,(Shanghai University of Engineering Science), HCII 2022, LNCS 13520, pp. 62–88, 2022.
181)From Online Games to “Metaverse”: The Expanding Impact of Virtual Reality in Daily Life; Jian Shengyu , Chen Xin, Yan Jiaping, (Yangzhou University), HCII 2022, LNCS 13324, pp. 34–43, 2022.
182)Bie-modernist Culture Computing is on the Road of Deep Distinguishing; Chang Jun (Shanghai Normal University), HCII 2022, LNCS 13324, pp. 401–412, 2022.
183)A Cultural Computing of the Share of Modernity in World Literary Masterpieces by Bie-Modernism; Wang Jianjiang(Shanghai Normal University), Chen Haiguang(Shanghai Normal University), Ma Tianming(Shanghai Normal University), Qi Zifeng(Shanghai Normal University), Yang Zengli(Zhengjiang Yuexiu University),Zhang Shaowei(Shanghai Normal University), HCII 2023, LNCS14035, pp.603–617, 2023.
184)A study on the Bie-modernism Features of China’s New God Series of Contemporary Animation Films; Chang Jun(Shanghai Normal University), HCII 2023, LNCS 14035, pp. 241–249, 2023.
185)Bie-Modernism Cultural Computing and Identification of “Bie-Human”; Sun Ruixue(Shanghai Normal University), Zou Haoping(Tianjin Foreign Studies University),（HCII,2023）.
186)Chinese thinking, Chinese word-formation and Chinese discourse innovation——Taking Bie-modern theory as an example; Ji Xiumei(School of Literature, Baoding University School of Humanities), Jia Bohao(Central Academy of Fine Arts)Journal of Liaoning Normal University(Social Science Edition) 05/2023.